This installation is a diptych that comments on and critique disaster media and their environmental footprint. A handmade book whose pages, made of epoxy, look like water, sits along side a two minute and thirty five second work of kinetic poetry projected in a loop.  The kinetic poetry was composed entirely in ChatGPT, which first designed and modified a Markov generator and then executed it using the Live Feed of the New York Times coverage of the Pallisades fires. The poetry is fused to a series of watercolor paintings as well as the video source that inspired them, terrifying footage of two men and a dog trapped in a house, surrounded by fire that was circulating on social media during the LA fires. Together, the works’ use of elit tools in combination with analogue expression in painting and sculpture, imagine a world that is either drowning or burning, and asks us to consider art and literature on the precipice of environmental collapse.